Treyleen Neyelle

I am a proud Dene K’ǝdǝ́ beadwork artist dedicated to revitalizing my culture through traditional materials and techniques passed down through generations. Originally from Délı̨nę and now living in Yellowknife, I create intricate beadwork using traditionally hand-tanned smoked moose hide, ethically sourced hand-dyed rabbit fur, caribou hair for tufting, and genuine Swarovski crystals. Each piece I create is more than just an expression of beauty—it is a connection to my ancestors, a reflection of my cultural journey, and a testament to the resilience of Indigenous artistry.

My journey as a maker began when I was a child, sitting beside my late grandmother as she taught me how to sew buttons onto her shirts and later helped me stitch flower prints. These early memories laid the foundation for my love of creating. Like many, I stepped away from traditional arts for a time, but during the COVID-19 pandemic—when the world slowed down—I found my way back to beading and sewing. In that stillness, I rediscovered not only the craft but the healing, comfort, and cultural connection it brings.

My work often features cotton candy colors and soft pastels, chosen intentionally to evoke calmness, joy, and gentle strength. These hues mirror the tenderness of memory and the vibrant resilience of Dene culture. Every creation is a quiet but powerful act of cultural preservation and personal growth.

Alongside my artistic practice, I am currently a full-time student in the Office Administration program at Aurora College, with plans to continue into Business Administration. My education supports my goal of growing a sustainable beadwork business rooted in Dene values and community empowerment. While off school during the summer, I work as a Forest Fire Management Clerk with the Government of the Northwest Territories, further grounding me in service and responsibility to my community and land.

Participating in this market would be a meaningful opportunity to share my work with a wider audience, connect with other artists, and contribute to the recognition of Indigenous craftsmanship. I believe I deserve this opportunity because my work is not only a reflection of my artistic skill but a commitment to cultural revitalization, community strength, and intergenerational healing. By supporting my journey, you are supporting the continuation of Sahtúgot’įnę artistry for future generations.